The Least Dream
1 05 2008
Genghis Khan felt his least dream issued stratagems, and so he gathered counselors around him each twilight to read the twitching of his eyes beneath their lids. It grew dark quickly and, soon, the counselors slept.
Every night, the youngest of them gave himself to sleep instantly, eager for his own dreams. He might roam over the steppe on a stunted pony, dragging his feet, or he might fly on just one arm, the other hand at his lips to silence his wonder.
One night, he awoke in a dream as he might to day. Walking to the tent flap as if it were real, he pulled it aside and found the camp empty of soldiers. It was afternoon. The day was hot, the land unshadowed, but the wind seemed to have arrived over a glacier. Despite the sun, the air raised goose bumps.
Senses usually eluded him in dreams. They were impossible to gather in a single impression, but this camp appeared outside his mind. Each object so clear it vibrated, he walked as in a map where everything shouted a label that became the thing itself—the charred wood of dead fires looked black enough to absorb all light, the sky so blue it became solid, the yellow grass stiff as swords.
And, for a while, he enjoyed it alone. Up ahead though, he saw someone sitting on a log in the space where tents thinned. The man was smoking a pipe, and, by the tilt of his chin, the young counselor knew him instantly.
He thought of turning and walking away but he’d been seen. The arm of the man beckoned him. The young counselor’s feet broke into a trot beneath him.
“You’ve found me,” the man said.
“Yes, sire.”
“The others have not.”
“Yes, sire.”
“You may sit, boy. I won’t raise my eyes to you.”
Even in a dream, the counselor’s body fell onto one knee, and he averted his eyes.
“You know why you are here.”
“No, sire.”
“Scratch my back.” He shrugged and hunched to move his back beneath the boy’s fingers. His face relaxed. He moaned with pleasure.
“You will listen. When I ask you whether or not to act, you must tell me ‘no.’ To my every question, your answer must be ‘no.’ Do you hear me?”
“Yes.”
“Yes…” he twisted his head to look at the boy and smiled, “you know what I ask and say ‘yes,’ but I hear you say ‘no’ even now,” he waved his hand and frowned, “That’s fine. Good. You may go.”
But the young counselor didn’t move. “How can I go when you told me…”
The answer, a burst of laughter, startled him.
“I knew your father better than you remember. When he brought you to be a soldier, he warned me, ‘Don’t let him have his own mind, or he will never listen,’ but I spared you battles. I didn’t want another man who listened, or only one who listens as my horse listens or as the tree listens for storms.” He chuckled, “You will understand the word means less than nothing. That is why you will say ‘no.’”
He held the young counselor’s eyes again, and said, “Now go. You may go. I must have a quiet pipe…because I can never have a quiet pipe.”
When the young counselor jerked awake he found himself at the Khan’s foot. All around him the other counselors had melted into sleeping forms. They leaned in such different directions that no one wind could have arranged them so. The faint sawing of their breath matched the noise of insects eating outside the tent.
Only one other set of eyes was open.
“Boy, you’re awake. The others have given in. Have you heard anything? Did I speak? Has my spirit shouted?”
“No, sire,” the boy said.

A haunting vignette, with rich, multi textured images…this surprised me, in a good way, to find it on your site. Thank you as always D for expanding the playing field.
I’m was a little surprised to write it. I generally don’t DO fiction and leave it for people who are much more able, but I was inspired by a series of stories in Sudden Fiction International, which one of my classes is reading. The first line came to me, and then the rest sort of unreeled. And it felt pretty whole when I finished it for the first time…though I’m not crazy about the first line.
A teacher in graduate school once urged me not to imitate myself, and lately I’ve been trying to lift off the tracks a little. Thanks for indulging me in my experiments. —D
D - this is amazing, surreal. “You will understand the word means less than nothing. That’s why you will say ‘no’”. “…a tree listens for storms.” expresses the fear inherent in power equations, and a powerful man like Genghis is surrounded by “yes” men. Your descriptions awaken a sensory response in the reader - i could feel the wind coming cold off the glaciers at the edge off the steppes. G
Thank you. For me, all writing is a sort of conversation. I can never read long without wanting to write. It was the same way watching sports on television when I was young—I’d watch five minutes and then run outside. I probably should study other poems, stories, or essays longer before I try writing something myself, but I’m not a good listener. I have to participate. I’m grateful I have a job that compels me to read carefully and restrains me somewhat. Sometimes I wish I could just read and appreciate literature and shut-up altogether, but I’ve figured out that’s impossible now. It means a great deal to me that anyone is willing to read my experiments, so thank you, thank you. —D
I wish you wouldn’t say you usually leave fiction writing to more able people, because I read a lot of fiction, and this piece stands with the best! Really. I was drawn in immediately. The description of the boy’s dream, the story within the story, I was completely hooked. And I loved the enigmatic ending.
Thank you, your comment means a great deal to me. Maybe I should have said I’m a dabbler at fiction compared to the people I know who work quite hard at it. I just can’t sustain any real attention to it because stories so seldom occur to me. I think some people are just natural storytellers and know which details to leave in and out or how to develop a listener’s feelings for the subject. You can learn anything (given enough time and effort and especially desire), but I would have to work pretty hard at fiction. I can get lucky occasionally and fall upon a good way to present a story, but the only stories I tell well are the ones I’ve rehearsed over and over.
I have such admiration for novelists and short story writers that I’d never think of saying I’m one of them! —D